​Our philosophy
We aim towards bridging the gap between the academic and performative world of dance, thereby making discussions around dance more accessible for the public sphere. Our work is largely academically orientated in the topics chosen but does not aim to be an academic journal or a peer-reviewed resource. Instead, we aim to present discussions around dance in a friendly magazine-style format so anyone with an interest in dance can dive in to subjects they may not have familiarity with or limited knowledge about. By having a diverse team, busting myths and assumptions, we hope to ensure that a wide range of dance forms have space for representation.
Diversifying our platform’s discussions around dance includes having writers with a range of backgrounds, helping to unveil broader topics with a wide range of research lenses and perspectives. The UK dance scene has much to offer where dance forms and discourse are concerned, its multicultural landscape creating a backbone for art to grow from. However, where many mainstream publications often focus on larger companies, Dive(rse) Dance aims to seek out either smaller organisations or dance forms that are seldom spoken about expansively. The result is a magazine that unveils a corner of the global dance scene that should intrigue anyone who has a natural curiosity for movement.
Dance as an industry, art and academic subject is often shrouded in stereotypes, making it seem inaccessible to those with a casual interest. Open publications focussing solely on dance are steadily declining in the UK, leaving most in-depth explorations of the art form confined to academic journals. As critical dance writing becomes confined to academia, public understanding is often reduced to theatre reviews. Dive(rse) seeks to uncover the intellectual value of dance for a broad audience by examining dance as an inclusive and accessible art form. Through reviews and informative articles on underrepresented genres and academic trends, we aim to provide resources that encourage readers to deconstruct their perceptions of dance.
At Dive(rse), or Dive for short, we believe in the equitable allocation of resources and funding to empower marginalized voices across diverse communities. Our blog serves as a vibrant space for dialogue, encouraging the sharing of thoughts and experiences that foster a seamless exchange of ideas. Our own team, comprised of a variety of backgrounds in terms of practice, ethnicity and culture, consciously avoids the centralization of mainstream arts and aims to bring together varied perspectives that decolonize discussions around dance. This approach invites us to interrogate existing narratives and create new ones that reflect the rich tapestry of dance as an art form. By integrating diverse voices and practices, we aspire to build a community where every perspective contributes to a fuller, more nuanced narrative about dance, honouring its cultural significance in shaping the social realities.
Editorial team

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Elspeth Chan
Dive Writer & Editor | Dance Writer | Movement Researcher
A Cinema & TV graduate from Hong Kong Baptist University, Elspeth completed a Master’s degree in the UK in Dance Research with distinction and was awarded the Valerie Briginshaw Prize 2024. Her writings are featured in the International Association of Theatre Critics (Hong Kong), dance journal/hk, Hong Kong Literary Criticism Society and Dance News (Hong Kong).
Elspeth took the pivotal role in coordinating and researching the lecture series '3 Decades of Dance in Hong Kong' for the Leisure and Cultural Services Department, curated by Dr. Lo Wai-luk. Passionate about butoh, her research delves into its philosophy and therapeutic dimensions. Elspeth moderated public talks including ‘Butoh and the Locality of the Body-An Initial Exploration of Butoh in Hong Kong’ in 2023. She also thrives as an arts project manager and producer, embodying a holistic engagement with the arts.

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Janejira Matthews
Dive Writer & Editor | Dance Writer & Researcher
A recent graduate from Chichester University, Janejira completed a degree in MA Dance Research whereupon she was awarded the Valerie Briginshaw Prize 2023 for dance writing and academic excellence. Her writing is featured in Resolution Review 2022, The Place’s blog for upcoming writers, and Dance Art Journal.
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Janejira’s Anglo-Thai background supports her research interests around identity and the diversity of dance forms in the UK, including the presence of Thai festivals in South-East England. Throughout her research, Janejira has examined the impact of migration on dance and its perceived authenticity, how dance reflects culture in the UK and the treatment of women in cultural dance narratives.
Guest Writers

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Lizzy Tan
Dance writer
Lizzy Tan is a dance artist, movement director and critic based in London. Her creative practice centres on the philosophy of image and representations of the femme performing body, drawing upon queer and feminist literatures, art history and philosophy. Her solo and collaborative projects incorporate contemporary dance, performance art, installation and digital technologies, often working with ‘found material’ from online and personal archives. Lizzy’s work has been presented in the UK, US and Germany.
Alongside dance writing, Lizzy works in research. She holds a BFA in Dance and BA in Economics from the University of Texas at Austin, and an MSc in Local Economic Development from the LSE.

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Namy Yu
Writer
With her strong interest in cultural diversity and education, Namy completed a degree in MA in Educational Leadership, Policy and Development at the University of Bristol. Her comparative research focused on racism and educational needs, and challenges of children from mixed heritages. She presented her research at the Korean Association for Multicultural Education. Her comparative study of education reform in Kenya was published in the International and Comparative Education Magazine in the UK.
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She is passionate about fostering communities to develop cultural humility and broaden perspectives to improve an inclusive culture. She leads the Diversity Book Club with an open human library approach. Her professional accomplishments were recognised with the Vice-Chancellor’s Awards in Equality, Diversity and Inclusion in 2021 and 2023 at the University of Surrey.
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Namy has itchy feet. She enjoys exploring destinations rich in cultural heritage and opportunities for genuine interaction with local communities while travelling.
